SCAN #DATETITLESOURCEDESCRIPTIONTAGS
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.pdfc. 2011MAKING ART GLOBAL (PART 1) THE THIRD HAVANA BIENNIAL 1989
RACHEL WEISS AND OTHER AUTHORS
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www.afterall.org
Published by Afterall Books in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven, 2011. Distributed by Koenig Books, London.
In this book, the second in Afterall’s Exhibition Histories series, Rachel Weiss examines the ways in which the third edition of the Bienal de La Habana extended the global territory of contemporary art and redefined the biennial model. Gerardo Mosquera, a key member of the curatorial team, contributes a reflection on the project, and original papers delivered by Geeta Kapur and Mirko Lauer during the biennial, as well as contemporaneous reviews by Coco Fusco and Luis Camnitzer are republished. The book gathers over 100 colour images, an introduction by Charles Esche and recent interviews with participating artists Alex Ángeles, José Bedia, Alfredo Márquez and Lázaro Saavedra. #cuba #globalization #exhibition
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.pdf
c. 2018PAST DISQUIET: ARTISTS, INTERNATIONAL SOLIDARITY, AND MUSEUMS-IN-EXILE
MUSEUM OF WARSAW
x
x #decolonising museums
#decolonising practices
#exhibition
#exile
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.pdfc.c. GRAPHIC LIBERATION: IMAGE MAKING AND POLITICAL MOVEMENTS
www.afterall.org
Published by Afterall Books in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven, 2011. Distributed by Koenig Books, London.
In this book, the second in Afterall’s Exhibition Histories series, Rachel Weiss examines the ways in which the third edition of the Bienal de La Habana extended the global territory of contemporary art and redefined the biennial model. Gerardo Mosquera, a key member of the curatorial team, contributes a reflection on the project, and original papers delivered by Geeta Kapur and Mirko Lauer during the biennial, as well as contemporaneous reviews by Coco Fusco and Luis Camnitzer are republished. The book gathers over 100 colour images, an introduction by Charles Esche and recent interviews with participating artists Alex Ángeles, José Bedia, Alfredo Márquez and Lázaro Saavedra. #cuba #globalization #exhibition00001
.pdfc. 2017WHERE IS ANA MENDIETA?www.afterall.org
Published by Afterall Books in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven, 2011. Distributed by Koenig Books, London.
In this book, the second in Afterall’s Exhibition Histories series, Rachel Weiss examines the ways in which the third edition of the Bienal de La Habana extended the global territory of contemporary art and redefined the biennial model. Gerardo Mosquera, a key member of the curatorial team, contributes a reflection on the project, and original papers delivered by Geeta Kapur and Mirko Lauer during the biennial, as well as contemporaneous reviews by Coco Fusco and Luis Camnitzer are republished. The book gathers over 100 colour images, an introduction by Charles Esche and recent interviews with participating artists Alex Ángeles, José Bedia, Alfredo Márquez and Lázaro Saavedra. #cuba #globalization #exhibition00001
.pdfc. 2002OBJETS REINVENTES: LA CRÉATION POPULAIRE À CUBA
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www.afterall.org
Published by Afterall Books in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven, 2011. Distributed by Koenig Books, London.
In this book, the second in Afterall’s Exhibition Histories series, Rachel Weiss examines the ways in which the third edition of the Bienal de La Habana extended the global territory of contemporary art and redefined the biennial model. Gerardo Mosquera, a key member of the curatorial team, contributes a reflection on the project, and original papers delivered by Geeta Kapur and Mirko Lauer during the biennial, as well as contemporaneous reviews by Coco Fusco and Luis Camnitzer are republished. The book gathers over 100 colour images, an introduction by Charles Esche and recent interviews with participating artists Alex Ángeles, José Bedia, Alfredo Márquez and Lázaro Saavedra. #cuba #globalization #exhibition
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.pdfc. 1978THE NATIONAL MUSEUM OF CUBA
www.afterall.org
Translation in Russian - English -Spanish. Printed and bound in the USSR.
In this book, the second in Afterall’s Exhibition Histories series, Rachel Weiss examines the ways in which the third edition of the Bienal de La Habana extended the global territory of contemporary art and redefined the biennial model. Gerardo Mosquera, a key member of the curatorial team, contributes a reflection on the project, and original papers delivered by Geeta Kapur and Mirko Lauer during the biennial, as well as contemporaneous reviews by Coco Fusco and Luis Camnitzer are republished. The book gathers over 100 colour images, an introduction by Charles Esche and recent interviews with participating artists Alex Ángeles, José Bedia, Alfredo Márquez and Lázaro Saavedra. #cuba #globalization #exhibition
DATE
c. 1993TITLE
FACE OF THE GODS: ART AND ALTARS AND THE AFRICAN AMERICAS
THE MUSEUM FOR AFRICAN ART
printed and bound in Japan
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.pdfc. 1978LA PINTURA Y ESCULPTURA EN CUBA
www.afterall.org
Published by Afterall Books in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven, 2011. Distributed by Koenig Books, London.
Valderrama y Peña's work captures a transformative period in Cuban art, marked by a shift from colonial influences to the emergence of a distinct national artistic identity. This edition, known as the "Edición homenaje del Cincuentenario de la Independencia de Cuba," provides a comprehensive overview of the development of Cuban visual arts during the first half of the 20th century. .
The content is organized around three pivotal Cuban art institutions: La Escuela Nacional de Bellas Artes "San Alejandro" (recognized as Cuba's oldest art school, it played a crucial role in nurturing early 20th-century artists), El Palacio Presidencial (this venue served as a prominent exhibition space, reflecting the intersection of art and national identity) and El Museo Nacional (as a central repository of Cuban art, it showcased the nation's artistic evolution).
While physical copies of La pintura y la escultura en Cuba are rare and this is the first digitization of its kind, the book's significance endures in academic and artistic circles as a foundational reference of Cuban art history.
#cuba #globalization #exhibition
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.pdfc. 2002ARCHIVES
www.afterall.org
Published by Afterall Books in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven, 2011. Distributed by Koenig Books, London.
In this book, the second in Afterall’s Exhibition Histories series, Rachel Weiss examines the ways in which the third edition of the Bienal de La Habana extended the global territory of contemporary art and redefined the biennial model. Gerardo Mosquera, a key member of the curatorial team, contributes a reflection on the project, and original papers delivered by Geeta Kapur and Mirko Lauer during the biennial, as well as contemporaneous reviews by Coco Fusco and Luis Camnitzer are republished. The book gathers over 100 colour images, an introduction by Charles Esche and recent interviews with participating artists Alex Ángeles, José Bedia, Alfredo Márquez and Lázaro Saavedra. #cuba #globalization #exhibition
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00006
.pdf
DATE
c. 1981TITLE
TROPICAL DECO: THE ARCHITECTURE AND DESIGN OF OLD MIAMI BEACH
RIZZOLI
printed in New York, NYDESCRIPTION
One day, Miami will be underwater. Climate risk is only accelerating while the governor prohibits the term “climate change” in state law, effectively eliminating any channel that would allow us to prepare for and mitigate its devastating impacts. Today, there is legislation advancing through the Florida Senate that would allow private developers to tear down historic buildings in order to build new, potentially erasing decades of the city’s character and cultural fabric.
In response, an expanding body of archival and documentary efforts has emerged in recent years in attempts to preserve and memorialize the city amid the threat of its disappearance. Projects like O Miami’s Waterproof: Evidence of a Miami Worth Remembering stand as poignant examples of anthropological records born out of the question, “What will you miss when Miami is gone?”
The same sentiment is retroactively embedded in Tropical Deco: The Architecture and Design of Old Miami Beach, a photographic documentation of the historic Art Deco district, from its pastel-colored facades to its porthole windows to its stylized lettering, published in 1981. More than just architectural record, the book reads as a love letter to a visual language that defines Miami and resists erasure through beauty, nostalgia, and a very familiar feeling for those of us who recognize it. Several of the photographs in this book were originally taken in conjunction with a project for the Miami Design Preservation League.
This digitized material is in honor of my hometown, whose visual language makes up so much of my creative heritage and whose spirit is singular and deeply woven into its echo.
TAGS
#miami
#architecture
#photography